CREATE

Applying the ink into the skin is the very last step of many. Designing and creating a unique piece made for one and only is what I love the most.

Black and white photo of a shirtless person with tattoos, curly hair, and a pearl earring, covering their eyes with one hand, posing against a plain wall background.
Black and white photo of a shirtless person with tattoos, curly hair, and a pearl earring, covering their eyes with one hand, posing against a plain wall background.
A person with short hair wearing a beanie and earrings, with extensive tattoos on their back and arms. The tattoos include geometric designs, a staircase, and various images.
A person with short hair wearing a beanie and earrings, with extensive tattoos on their back and arms. The tattoos include geometric designs, a staircase, and various images.
SEND INQUIRY
SEND INQUIRY
Tattoo of a woman's face with her eye closed, details like lips, nose, and cheek, combined with abstract and geometric elements. Smoke and fire depicted in the upper part of the tattoo.
Tattoo of a woman's face with her eye closed, details like lips, nose, and cheek, combined with abstract and geometric elements. Smoke and fire depicted in the upper part of the tattoo.
A woman covering her face with a round mirror showing a rose, while her body and arm are covered in tattoos, in black and white.
A woman covering her face with a round mirror showing a rose, while her body and arm are covered in tattoos, in black and white.

HOW IT GETS DONE

There are a few ways I work on designs. I prefer to create them in the moment or shortly before the appointment. Designing on the spot lets me fully express creativity and match your concept and vision. I do research and bring a preliminary design to our meeting, which usually improves after we discuss it. I do not send finished designs before a booking.

Choosing a tattoo is about trusting your artist. The details you provide in the inquiry form help me visualise your idea. We may ask for more information to make sure I’m the right artist for your tattoo.

Process and pricing are explained further down this page.

THE PROCESS

  • This is where we stand out. Artists turn imagination into unique tattoos. Quality isn’t just clean lines—it's the creative process and bringing it to life.

    Most designs need a full day of drawing before your appointment. After we confirm by email, I’ll draft with your placement in mind. If you like the first draft, we’ll finalize size and placement and make small tweaks. If not, tell me what to change and I’ll redraw until we’re both happy.

    Choose an artist for their style, not exact replication. If my design feels wrong, I’m probably not the right fit—references help. I also accept free‑rein ideas or simple themes like nature.

    I usually need 1–2 hours to finalize after revisions. Extensive drawing reduces tattooing time, so matching vision and trust is vital. I don’t charge extra for design revisions or modest size increases (e.g., 15 cm → 20 cm). For drastically larger or different tattoos we’ll agree on price beforehand; price won’t change after the session. Major last‑minute changes may affect time.

    They are several types of designs I can create. It can be a really independent design with no surrounding elements called a “patch” (a patchy sleeve for example is several independent designs).

  • It can be a complex design with a lot of extensions with line works and geometry. the more elements we put the bigger we will need.

  • Soft, elegant and not heavy. Darker, solid and independent. Story telling with a full composition… They are all different to me and each individual idea and project you can have will match one of these best. What you want and what I think will look best for your project is that balance we need to find. To reach that, I need trust and be sure you love my art and my interpretations. In general it comes easier for me to know what you don’t like in some of my designs to understand you. I said “some”, because if that is not the case, I might not be the right artist for you. I have ‘a few’ tattoos myself, some I regret and some that are entirely who I am. It comes to the fact that some artists I went to had a different vision than mine. Nothing wrong about that, but the whole appointment process and the excitement of getting a new ink made me do some wrong choices. This is why making sure we are both on the same page and that I am the right kind of artist to design and tattoo you is critical. I can’t execute your exact thoughts or visions of the design. To create and make something unique, I need a lot of free rein.

  • When I come up with the final design once I asked all the questions necessary, it is always possible to discuss each elements, shape, contrast etc and I will adjust the design according to what we discussed. If I say no, it would be for a good reason: it can not suit the area, your skin ton, the contrast between certain elements or other tattoos you might have… Some areas of the body are more subject to frictions and hard healing process such as hands. When it comes to a forearm for example, I would avoid really intricate details and realism on the crease. A portrait on that area could not heal well…

  • It comes to you to trust me in terms of the application of contrast and elements depending on the size and placement of the tattoo we are going for after listening all your suggestions.

PRICING

A black and white tattoo of a woman's face with a robotic and abstract design, including gears, lines, and geometric shapes, on a person's forearm.
A black and white tattoo of a woman's face with a robotic and abstract design, including gears, lines, and geometric shapes, on a person's forearm.

Individual

  • Variable depending details, placement and complexity of the design.

  • Single piece that is independent from other projects. Few lines or small elements can be added to enhance meaning and/or aesthetic.

  • Minimum charge.

    No other appointment is booked for that day.

A tattoo of Leonardo da Vinci's Vitruvian Man with muscular human figures and technical diagrams.
A tattoo of Leonardo da Vinci's Vitruvian Man with muscular human figures and technical diagrams.

Body movement

  • This kind of projects are taking time to place and discuss regarding the size, placement, meaning, contrast, balance. It is crucial to ensure trust is there for me to not having to redraw important part of the design in order to allow enough time for tattooing.

  • Size can be more but also design can be more spaced out regarding placement and idea.

  • Complexity of design and elements wanted will determine quote. Some topics require a lot of research and trials to come up with the final design. Also, for example, placement such as ribs would be harder to execute than arm and so a larger quote.

Black and white photo of a person with tattoos on their chest, wearing a bandana, holding a framed empty picture frame over their face, with only part of their mouth visible, taken from a low angle.
Black and white photo of a person with tattoos on their chest, wearing a bandana, holding a framed empty picture frame over their face, with only part of their mouth visible, taken from a low angle.

Multiple sessions

  • As an example, a sleeve can take from 3 to 5 days depending on complexity of the design, elements, wishes to fill in the arm or a more spaced out composition. This is further discussed by email..

  • It is easier for me to complete a full project such as a sleeve, so booking days in a row could decrease price. Three days sleeve could be 6000 euros instead of 7500 euros for example. I do not increase price no mater what but depending on the sessions, with full transparency, if the last ones were easier then I’d be happy to lower price of these last days.

Tell me your story

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